Showing posts with label reverse glass painting. Show all posts
Showing posts with label reverse glass painting. Show all posts

Friday, September 9, 2011

oh, no...muse at play.

above:  judith's pears prior to muse at play

above:  after the muse stepped in it.

 above:  detail of the muse's work..dancing figures, a couple of musicians.

above:  the panel for Judith's Pears with a question?  fireblight?

  note to muse: keep your hands off!  it works the way it is.  (i better sign it before the muse decides to redact the pears.)  i have another 10x40" panel that is fresh and clean.  the muse can get that panel.  and finish the dancing figures.  ugh.  am reminded of writing: sometimes the writer has to run to catch up to the character that has taken over the story.  a completely different story than one was planning to tell. it is a for better/for worst relationship.

best,
with best intentions,

deb.

Tuesday, October 6, 2009

The WIP (work in progress) October 2009

Figure Series. 36x24" glass and canvas. full size pic, cropped, no flash. followed by flash, followed by detail, no flash








copyright debbie clarke, gloucester ma 2009

Monday, September 28, 2009

Falls Village Connecticut?

Just finished the commission: "St. Peter's Thumbprint" photos will follow when the light allows, lots of mirroring on these fish. brownie points offered for anyone knowing what the title of this fish painting refers to.

on another note my feedjit shows a visit from Falls Village Connecticut. When I was a child my family had a summer home in Falls Village. our house was perched on a hill overlooking the YMCA and the General Store. The extended family would walk on summer afternoons across the bridge near the electric generating station up to the falls to the sluice and the pools below. sometimes my cousin richie would swim in the pools. us younger folk would dally in the errant streams.

Wednesday, February 25, 2009

Tuesday, February 10, 2009

The WIP (work in progress): Hake panels

above: panel 3, gold leaf and sharpie on reverse
glass with canvas backing


above : Panel 2: sharpie with silver leaf on reverse
glass backed with oil on canvas



above: panel 1, sharpie and oil on reverse
glass with combination leaf, backed with
oil on canvas

These are for a commission. The commissioner will get first pick of 3 or 4 or 5 or...I'm on a roll and I am working. These are 24x36" and I keep getting more ideas.

best to all,
deb.

Tuesday, January 6, 2009

"The Species" permanent collection of The Cape Ann Museum, Gloucester MA


copyright 1995debbie clarkegloucester ma
This is the view from the second floor elevator. to the right is the entry to the Maritime Exhibits. to the left is the stairway to the 3rd floor with the special exhibitions, the contemporary collection. To the left is an overview into the Graham Gund designed atrium, with Walker Hancock, George Demetrios and Charles Manship. The Walker Hancock basketball players are on the ground level. The model would become an Essex cop and my youngest sister's paramour for a few years. My drawing teacher Andy McMillan studied with Demetrios and his wife Virginia Lee Burton. Manship designed the gold statue at Rockefeller Center. The Folly Cove Designers are displayed in the Auditorium. My grandmother made me a shirtwaist circle dress from those fabrics. I wore the dress in the forth and fifth grade. A Max Kuehne silver gilded desk is in an alcove at the top of the stairs. and The next big painting is of five little girls dancing in a field. American Impressionst 1908. In 2003 I sat with one of these girls, Mrs. R, when Mrs. R. was 98 years old. I was her companion for a few hot summer weeks. We sat on her porch and watched the sea. she said to me "Ah, there she is Beauty! and that is Maize"
(I think i am the first woman artist entered into the fairly new contemporary collection. Sharon Worley was the curator that asked me if I would provide visuals for a rather dry show about scientific side of the industry. Nubar Alexanian's b&w photos provided other visuals. The museum could not secure the use of photos of the individual species. They asked for illustrations: I gave them these fish.
oh, and downstairs in the Captain's house is that 'other painter of light' Fitz Henry Lane. This beautiful little museum holds the largest collection of Lane's paintings. I can see the 'Stone Jug' from here. my mother lived over there before Urban Renewal took all of Pugh Court and left the artist's studio standing.
This is the second referral from the museum in 3 months. Very interesting. I must go to the museum soon and take a look at my work.
(secretly i call this series 'bait' with gladness and humor. I have been commissioned by a private collector to do 'fish' painting. They have admired this work at the museum for years and have decided they would like to own one.)

Monday, November 3, 2008

same painting with/without flash




oil and metal leaf on reverse and front of greenhouse glass panel. vacuum sealed with tar and aluminum liner. i've been trying to separate the liner, but the tar is stuck fast to the glass sandwich edges. i rarely leave my work in such an abstract state, but, this time i am. it is a heavy 47x30" piece of glass. the work can be framed or mounted directly to the wall with heavy mirror clips or brackets.

there might be fish...maybe not, then again, maybe

once again, whatever gives you and maybe a few others some joy, do it.

deb.