Monday, October 31, 2011

questions for visual artist friends

where have you had the most success selling your work?

in a traditional art gallery?

an artist cooperative gallery?

a vanity gallery? (pay for the privilege of exhibition)

a restaurant showing?

on-line marketing efforts?

how much time on a weekly basis do you spend marketing your work?

do you sell prints of your work?

how many on-line sites do you have?

if you donate work to non-profit fundraisers/auctions...have you ever made additional sales?

if you belong to an art association, do you make sales to cover your membership, get referrals?

My answers follow:

I ask this because the traditional route of showing through galleries, responding to calls for artists, etc has not worked for me.  I did this in my early career, got some press, got some awards...but the attention was not directed so much to me as a valid artist, the attention went to the 'causes'.  social art was (may still be) very big then.

artist cooperative gallery:  founding member of Local Colors Artist Cooperative here in Gloucester.  member for 8 years...spent most of my time making cards, crafty items to pay the gallery rent, which rarely happened.  i started making reverse glass paintings during these years and demonstrated/painted in the window every day for a month...this got me my first big commission 'lucky break'.  an art consultant also found me through the cooperative, resulted in a modest sale to a corporation.

vanity gallery:  have never done a vanity gallery show.  will never pay someone to exhibit my work, unless it is a cooperative gallery.

restaurants:  have had shows in restaurants.  great openings, the restaurants looked good, no sales. clarification:  my first big commission/lucky break was to a restaurant.  i received 2 referrals, one turned into my second major commission.

on-line marketing efforts:  no sales through print on demand sites.  have started to make sales through the web during the past 3 years, and an up-coming gallery show in Maine through facebook connections.

prints of my work?  nope.

on-line sites/social networks:  3 photo sites, 4 blogs, 1 journal, facebook, google+, twitter, saatchi, youtube, and 2 print on demand sites.  so far facebook, goodmorninggloucester and live journal have produced consistent interest & sales.

non-profit auctions/fundraisers:  been there, done that.  just kissed the work good-by.  no sales, referrals. clarification:  i made the paintings of verre eglomise fish at the top of page for The Cape Ann Museum's 'Making Waves' show (it was a show about the fishing industry, the declining fish species, there was data, b&w pics of fishing boats, the fishermen, fishing gear, weight equipment, etc.  they needed images of the fish (the life blood of the industry!).  i made the paintings, gave them the work; which was on display for about 10 years.  i received lots of referrals (mostly for prints, which i do not sell); however, 2 major commissions came out of these referrals.

art associations:  none will have me, so i no longer give them my money to review me to tell me no.  money is dear and I would rather buy paint and canvas and gold leaf with $40-$50-$100-$150 required to get approved, then get in by paying the dues.

and i rarely respond to calls for entries, but I do like working with those involved in the revitalization of historic places through contemporary art. am thinking it would be cool to do an art revitalization project at The Oak Grove Cemetery.  That's where Twachtman and few other noteworthy bones lie.

looking forward to your responses/thoughts.

best,
deb.


Good Saint Anthony come around!  We all seem lost and must be found.  

Sunday, October 23, 2011

Something Fishy!



working from my imagination. 
this is a small reverse glass with oil, marker, copper leaf. 
size:  8x10, detail


to the left, 12x12 ".  imaginative fish heads: reverse glass with oil, marker,kodak holographic laminate, digi print transfer.  this detail does not scan/photo true.  the overall tone of the work is silver, not blue.  the glass will be offset to allow the layered holograms to 'float'.

I have a lot of work in progress.  Today's objective is to cut down the backing boards on some of the larger works that were started a few weeks ago.  I can 'see' the pescado, no one else can because they are so undefined.  beginning to see fish in everything, pushing me into new directions, new media ideas.  this must be what the art folk mean when they talk about 'pushing an idea'.  still using leaf, but i'm trying to not be too dependent on it.  leaf is very seductive in it's beauty, it needs some grit and structure to hold together as 'ahht'

best,
deb

Tuesday, October 11, 2011

Holy Mackerel!

the first 2 images are source digital prints that are details of one of my earlier foil laminated construction of Mackerel.  i printed out several copies of these prints on some 96 bright white paper, with the intention of creating some photo transfers onto laminate.




The prints were then deconstructed, transferred, foiled and laminated.  following are two fishy landscapes.  

Holy Mackerel landscape 1 approx 5.5x6"



Holy Mackerel landscape 2:  approx 6.25x6"
this one has a lighthouse!

have never considered myself a landscape painter, yet this island landscape of gloucester ma imposes its silhouettes into my work.  i have also transferred/incorporated some details of Hokusai's "Great Wave" into these works.  

best,
deb

ps:  have noticed that i am perfecting my craft as i focus on this series. work is coming through me that i have never seen before.  i think my friend Kate Somers once dreamed it.





Thursday, October 6, 2011

Steve Jobs and my AHA encounter

I was going to start a kickstarter project to raise funds for gold leaf.  Steve Jobs' ' heart/intuition' speech re-iterated on the tv, my secret inner heart decision to go another way.  what will i do?

hint:  i still have several thousand yards of packing tape.  and yards and yards and yards of reflective material to work with.  verre eglomise?  who knows?  this is an adventure.  dreamin; a roomful of fish!

best,
deb


Wednesday, October 5, 2011

It is a Rudderfish! (firm id pending)




My friend Paul Frontiero is a contributor to our community blog goodmorninggloucester.  This morning Paul posted my query about the striped fish I photographed at the Gloucester Maritime Center last Sunday.  I got an id as Rudderfish from the education director of the Maritime Center Mary Kay Taylor.  Her response follows.


Anonymous mary kay said...
Hi Deb-
I believe that it is a Rudderfish (aka Amberjack or Pilotfish) Sierola zonata. I’ve sent some photos out to some local experts for a firm identification. More information about this species can be found through following this link: http://www.gma.org/fogm/Seriola_zonata.htm.


I fell in love with your paintings at CAM years ago and have visited them often. It is great to finally put a face with your beautiful work! If you have any questions about specimens, feel free to contact me at Maritime Gloucester any time.
Mary Kay Taylor,
Education Director, Maritime Gloucester
there is always a wider, deeper story behind every painting that i do.  here's a brief recap of the folk through social media that helped me.  the identification came within an hour of paul's post.


 added the entry to google+ and recieved a note from E.J. (another gmg contributor!) with the determination that the fish does not identify to a 'sheepshead porgy'.  i shared the pic and post as status updates on facebook.  my facebook friend identified it as a "Banded Rudderfish", another gmg responder identified it as a Rudderfish; he also reported seeing some off Cape Ann a while back.  it seems the Rudderfish is out of its waters.

it would be so awesome to have a glass sided room under one of our harbor piers.  i would go there every day and sometimes i would paint.

best,
deb.

ps:  here's the link to Paul's post on gmg  What fish is this?

Tuesday, October 4, 2011

What Kind of Fish is this?






This little fish (about 10") was found in one of the tidepool tanks at the Gloucester Maritime Center.  I couldn't find an identification/information tag near the tank.  Today I did a google image search which sent me in the direction of "grunts", particularly a 'sheepshead grunt'.  My Audobon field guide places grunts in the Family Haemulidae (perch like fish) and places 'sheepshead' in the Family Sparidae' aka "Porgies".  if you can confirm my identification, it would be much appreciated.  

another contender for the new series.  i love how the nape stripe drives through the eye and into the snout.

best,
deb

Monday, October 3, 2011

"Rufus"

 Here's  another contender for the new fish series, the very skittish "Rufus". Rufus  never fully adapted after his move from Gloucester to Portland Maine after which:  he spooked easily evidenced by continual incontinentence.

.  Here's more info about this freshwater catfish, common to South and Central America, that is favored in freshwater aquariums.
  Rufus is the second Pleco that lived with us.  the first one
Magnus grew to 8 inches or so. He would rise to the surface for feeding with the other fish and would let me rub his tummy.  Magnus succumbed after a move which required the emptying and re-establishment of the tank.  

best,
deb


Saturday, October 1, 2011

Sculpin

Big Sexy

Captain Joey's photo of a sculpin.  he names this one Daddy.  I'm looking for some good underwater pictures of a sculpin.  i think people eat this type of fish.  it has dangerous spines in it's fins.  this is a face that only a mother, or artist could love.  i wonder if they live alone or in schools?   bottom fish? this fish will definitely be the subject of new work.  also looking for the latin name.


best,deb

ps:  just found out from Joey.  neither sculpin, nor pogies are eaten.  sculpin are full of worms and bones and dangerous spines.

Tuesday, September 27, 2011

Capt Joey's "Pogie"

Pogie

My friend Joey Ciaramitaro of Capt Joe's and goodmorninggloucester allows me to use his photos as reference for my fish paintings.  I'm starting a new series of glass paintings, and will try to have them complete within the next two months, so that some can be shown next year.  This Pogie, which is used for bait is kind of sad, yet i can see through the rot and have a 'sense' of the fish's individual character.  the eyes tell me everything i need to know.

best,
deb

ps:  if you click the photo, Capt Joe's "Not so Beautiful Industry" page on flickr will appear.

Wednesday, September 21, 2011

Something Fishy!


I've been asked to imagine a roomful of fish for a show first quarter 2012. gotta get to work, so i'm going through my files. this pic is of sockeye salmon in one of its early states. the finished panel is deeper with pthalo blue. gotta find the painting...i think it's in the attic.


Friday, September 9, 2011

oh, no...muse at play.

above:  judith's pears prior to muse at play

above:  after the muse stepped in it.

 above:  detail of the muse's work..dancing figures, a couple of musicians.

above:  the panel for Judith's Pears with a question?  fireblight?

  note to muse: keep your hands off!  it works the way it is.  (i better sign it before the muse decides to redact the pears.)  i have another 10x40" panel that is fresh and clean.  the muse can get that panel.  and finish the dancing figures.  ugh.  am reminded of writing: sometimes the writer has to run to catch up to the character that has taken over the story.  a completely different story than one was planning to tell. it is a for better/for worst relationship.

best,
with best intentions,

deb.

Sunday, September 4, 2011

Labors' Rest: Here and Now! Sargent House Summer 2011




yesterday i published pics of the back of this glass panel.  today i set the front panel (the viewing pane) to museum quality work.  judith's garden.  verre eglomise palimpsest.
copyright clarke
2011
gloucester MA

$3200

Saturday, September 3, 2011

Fruits of my Labor: Sargent House Museum Here & Now! summer 2011




 detail left 10x20"

 detail right 10x20"


 detail right, brighter conditions

 detail left, brighter conditions

ready for the frame box.  10x40x2.5"

this is the paired pears from my time spent working in judith's garden this past summer at the invitation of Kate Laurel MacIntosh of the Sargent House Museum in Gloucester MA.  Kate invited artists to work in the gardens as a way to revitalize, bring awareness to the museum, which is in need of membership, donations and volunteers.  This was the second time that I have worked with Kate on a revitalization project, the first was for the Peabody Historical Society "Historic Interpretation". 

This work 'Fruits of my Labor" is comprised 2 glass panels (front and back) that are 10x40" heavy glass shelving panels.  one glass panel is worked, one is flat glass with no ornamentation.  the 10x10 inch stretchers serve as windows of time. metal leaf, oil paint and sharpie define visual references. the reverse is a metal leaf drawing of Judith's pears as seen in the first photo.

best,
deb


Friday, August 26, 2011

Sargent House Museum August 21, 2011: HERE AND NOW!


Pears from the garden at The Sargent House Museum in Gloucester MA. The black spots on the fruit and leaves:  fire blight?  There is a quince planted within 10 feet, showing same signs. Quince were destroyed in the United States during the 30's or 40's due to extensive fire blight, which can take out entire orchards.  Is there an expert reading this that is willing to take a look?  The museum is in need of some community support through volunteerism and membership.  The garden entrance is on Main Street between La Trattoria and Bananas Vintage, up the granite steps. 

I have lots of work in progress developed from my 2 Sundays in the garden.  Verre Eglomise and metal leaf on panel.  stay tuned.

best,
deb

Wednesday, August 17, 2011

A very small sketch with painting directions

color directions for a painting.  drawing copyright clarke
bv=blueviolet, yo=yelloworange, b=blue, bg=bluegreen, ro=redorange, yg=yellowgreen, etc.

this is a very small sketch with color directions on the back of a cash register receipt found in an old sketchbook.  i made the paintings, they are somewhere in the upstairs storage, or maybe i threw them out.  the idea still intrigues me.  may make these paintings again, but wonder what the paintings would look like if someone else took these directions and made a painting.  

if you are inclined, i would love to see your 'debbie clarke interpreted' painting.  send me a pic and i will post it here.  need more info?  please leave a comment.

best,
deb

Tuesday, August 2, 2011

BIG FISH! up close and personal

detail of the blue-faced cichlid.  the original is on display at 100 Centennial Drive, Peabody.  image is close to actual size.  gold, silver leaf, oil paint on linen.

copyright clarke
2011
gloucester ma

USA residents:  make a $50 donation through my paypal to this site and receive a signed 8x10 epsom color print of this detail image.

Wednesday, July 20, 2011

Revitalizing Historic Sites Through Contemporary Art: New Trust Art: Susie MacMurray at Kedleston Hall, ...

Revitalizing Historic Sites Through Contemporary Art: New Trust Art: Susie MacMurray at Kedleston Hall, ...: "PROMENADE from Benjamin Wigley on Vimeo . Contemporary art at historic sites is strongest when it directly reflects the context and h..."

This is Kate Laurel Mac Intosh's blog. She's Here&Now! revitalizing The Sargent House Museum in Gloucester MA by inviting artists to work in the gardens, making their art on Sunday afternoons this summer. Sound like fun? it is! If you are an artist and want to help revitalize Judith's house through your presence, contact Kate! and it's ok to sell your art too.

best,
deb

ps: if you contact Kate, tell her Deb sent ya!

Here & Now! Sarah Meyers Brent


Somerville artist Sarah Meyers Brent at work in The Sargent House Gardens last Sunday.  Sarah incorporates dried botanical elements into her acrylic paintings.  

Monday, July 18, 2011

Here & Now! a historic house 'Revitalization' project



 deb clarke represents at The Sargent House Museum!  Sunday 7/17.


Spent a white hot afternoon working in the gardens of The Sargent House Museum in beautiful downtown Gloucester yesterday.  2 reverse glass paintings in process, 2 drawings.  a ton of photos. the newly painted blue chairs and tables interest me. I will go back later in the summer for another afternoon of painting.  The fish painting is not what I worked on (it is from 1995), it was there as an example of a finished verre eglomise.  will post pics later of what i did, and need to finish.


The Sunday series of "Here & Now" under the direction of Kate Laurel MacIntosh is a 'revitalization' project to draw interest to this historic house, the one time home of Judith Sargent Murray.  Stop by and chat with the artists working on Sunday afternoons in the garden and get $2 off admission to the museum; pay $8 instead of $10.  the museum is raising funds to re-place the Main Street fence with a fence more in keeping with the house.  here's the link to The Sargent House Museum.  the homepage is breathtakingly beautiful.  If you are an artist and would like to work in the gardens this summer, contact Kate Laurel MacIntosh at the museum.

best,
deb

ps:  if you work in the gardens on a bright sunny day, bring a hat, sunscreen, and an umbrella.  there is no afternoon shade.  i hid in the bushes from time-to-time to escape the sun.

Saturday, July 16, 2011

Sargent House Museum, Sunday July 17



If you are in town, come on down! there will be art making and greeting in the garden of this great historic house museum!

the link will take you to goodmorning gloucester, where there is a great write-up about the artists that will be working in the gardens of the Sargent House Museum this summer.  Some of John Singer Sargent's early 'doodles' are on display this summer.  along with Judith Sargent Murray's little desk, and the shoe that was nailed against the chimney? The Sargent doodles are equated with today's 'refrigerator magnets' in one of the write-ups about the museum.  The gardens face Main Street (up the steps).  Entrance to the museum is on Middle Street.  come on down and say hello!

there is fruit growing in this garden.  it's going to be hot; so wear a hat.  i will bring some glass, some sharpies, some foil, some water, a hat, and see what happens.  oh, yes!  I am one of the artists working in the garden tomorrow!

best,
deb